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PROPOSTA
2004 . international
festival of poetries+polypoetries . cccb o |
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sections + participants
ausculta
a place to
be, listen and watch. and to talk.
selection: matías rossi
video: daniela cugliandolo
currently, the section ausculta continues with its tradition of
journeying through some outstanding poetry from its origins in
the 1950s, with authors such as bernard heidsieck and henri
chopin, to the late seventies. it is a selection compiled by
matías rossi where the intention is to illustrate the revolution
of sound poetry introducing several technological elements as
well and integrating popular culture in the field of sound
creation. it also rescues some main works not often within reach
of the general public. the event will be complemented by some of
daniela cugliandolo’s videographic creations, where each single
piece has been worked separately with the intention of enhancing
them. the result is a sound and visual collage which passes for
being an audition of historical pieces together with an update
of some pioneer experiments in the sound poetry area. many of
them are the first to use multitracks and other technological
novelties in the poetry world. like last year, ausculta aims to
be a space where the public can go and discover an updated
version of the most hidden historical fragments of poetry, yet
in a relaxed atmosphere, and with the possibility of meeting
people and establishing links and an ongoing social intercourse. |
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matías rossi
he
studied journalism at the university of la plata (argentina).
between 1996 and 2000 codirected with javier belza the magazine
planeta. since the year 2000 he lives and works in barcelona
where he collaborates with the record label ooze.bâp (www.oozebap.org)
and, together with balbini, publishes the digital magazine
acetone (www.acetonemagazine.org). as a dj he goes under the
name of simón marino. he has currently edited a cd mix where a
part of the ooze.bâp catalogue is featured. |
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daniela cugliandolo
temperley, buenos aires, argentina, 1969
lives in barcelona since 2001. she studied music, drama and
cinema in buenos aires. between 1991 and 1997 she participated
in theatrical performances and was keyboard of the band el otro
yo. on stage she directed the dumbwaiter of harold pinter
(1993), el paseo de buster keaton of federico garcía
lorca (1995) and the maids of jean genet (1998) from
where in 1999, she made her first short film in super8 format,
las mucamas asesinas. since then she has filmed over
twenty short productions in super8 format shown in the original
at concerts, parties, painting exhibitions, catwalks and museums
of contemporary art. her work has also been shown at the
barcelona grec festival in 2001, in canal drop, curtmetratges de
nit ‘02, trans-art bcn, barcelona visual sound, ii festival
d’art sonor al prat, institut français, argentoscopio, as well
as in cities and countries such as madrid, ibiza, equador,
colombia, amsterdam and helsinki. |
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web design:
kton
y cia |
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